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The man waited outside for Mr Lawrence. When he appeared he seized his hand, and fell upon his crooked knees and kissed and slobbered his hand, and blubbered, with tears trickling down his face, "that so help him his good God, come what might he would do anything, no matter what, to serve his honour, he would die for his honour; let his honour command him to jump into the river then and there and drown himself, he'd do it if only to please him." His gestures whilst on his knees, his extraordinary grimaces, the strange, wild terms in which he expressed his pathetic gratitude for this condescension of a gentleman in taking notice of, and rescuing from gaol a poor, pitiful vagabond, a child of the parish,[Pg 119] a no man's son, nor woman's either, a creature who lived he could not tell how, sometimes by stealing a raw vegetable, sometimes by running an errand, sometimes by the bounty of a tradesman who might fling him a crust, or of some drunken fisherman who might toss him a shilling to sing him a song and dance as he sang, a performance so hideously uncouth that Hogarth would have immortalised it could he have witnessed it; his gratitude, in short, was so diverting, at the same time moving in its appeal to pity, that Mr Lawrence could scarcely forbear a laugh, and indeed did laugh when he got rid of the fellow and walked away., "An' what d'ye 'spose was in that pail, Tom Wilson? Four garter snakes and a lizard; that's what your precious son had gone out and gathered fer our dessert. I spilled the whole caboodle of 'em into her apron afore I noticed, an' she give one screech an' fainted dead away. While I was busy bringin' her around, that Willium sneaked in an' gathered them squirmin' reptiles off the floor. I couldn' do more jest then than look him a promise to settle with him later, 'cause I had my hands full as it was. I found a pail of berries on the table when I got a chance to look about me, an' I ain't sayin' but that boy got them pails mixed, but that don't excuse him none.", She looked at Sir William, and with that look her face underwent a change—the change that had amazed Mr Lawrence, that transformation of beauty into alternate idiocy and bright-eyed madness, that marvellous facial motion which had done more to convince her kidnapper that his act had driven her mad than all the rest of her impersonations put together. Her rich and beautiful eyelids seemed to shrink up into the sockets in which her eyes were lodged; the eyes themselves seemed to sparkle with the uninterpretable passions of the afflicted[Pg 379] brain; the faint bloom which her cheek wore when she stepped on board faded as the picture of a red rose overhanging its reflection in water disappears at the blurring by the wind of its liquid mirror. Her lips were elongated and parted, and grey with tension, and her teeth, white as sea foam, were set. The whole expression of madness was incomparably life-like..