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Having accomplished her toilet without the assistance of a maid (who would bore her to death), and without disturbing her lord and master, she leaves her room, and, softly descending the stairs, bids the maid in the hall below a "fair good-morning," and bears no malice in that the said maid is so appalled by her unexpected appearance that she forgets to give her back her greeting. She bestows her usual bonnie smile upon this stricken girl, and then, passing by her, opens the hall door, and sallies forth into the gray and early morning. "Your husband called me 'thief.' I have not forgotten that," replies he, gloomily, the dark blood of his mother's race rushing to his cheek. "I shall remember that insult to my dying day. And let him remember this, that if ever I meet him again, alone, and face to face, I shall kill him for that word only." This last remark, being in a degree ungenerous, causes a sensation. A young man, stepping out from the confusion, says, very earnestly,—.
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After they had travelled some distance they heard the sound of voices. They listened. Two bears were complaining that they wanted meat. A woman told them they must wait. The men saw the line of thin blue smoke rising from the top of the lodge of stone. All about whitening bones covered the ground. They went nearer. It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair. "I wish you wouldn't talk like that," says Mona, with a shudder. "It isn't at all nice of you; and especially when you know how miserable I am about my poor country." Altogether she is a picture, which, if slightly suggestive of artificiality, is yet very nearly perfection. Mona is therefore agreeably surprised, and, being—as all her nation is—susceptible to outward beauty, feels drawn towards this odd young woman in sickly green, with her canine friend beside her..
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